Tasmanian Aboriginal Shell Necklaces Win Icon Status inTasmania

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What's in it for anyone if something is dubbed an "icon"? It seems that the National Trust thinks that there is something in it for them, and maybe so. The long and short of this kind of thing is that there is some kind of marketing imperative involved. That's alright so far as that goes but when you look at the list and read the rhetoric that comes with the announcement of such things there has to be a tinge of doubt about the sentiments that may be found lurking around somewhere.

Among the disparate mix of 2009's Tasmanian Heritage Icons there are the "shell necklaces made by Indigenous Tasmanians". In wording the nomination like this there seems to be an acknowledgement that there has long been some unarticulated background knowledge that not all shell necklaces made in Tasmania had or have Aboriginal authenticity.

It could be difficult working out whether or not you are looking at "an icon." Well not really if the there is no clear provenance or certificate of authenticity it seems that the safest thing to do is assume that it doesn't have the credibility that would enable it to be a 'Tasmania Heritage Icon.'

For contemporary work this is something that can be arranged relatively easily but it gets to be whole lot more complex when it comes to Antique & Vintage examples.

NEWS LINKS

• [1 – Mercury H'bt 12.11.09 – Bread, honey icon aim]
• [2 – ABC: 9.11.09 – Tasmanian 'icons' recognised]
  
• [3– Advocate – 9.11.09 Cradle Mountain is `choice' with kids]
• [4 _ ABC: 09.11.09 - Icons Listed ]

George Burrows Tasmaniana Shell Necklaces

Launceston’s Brisbane Street is home to the proverbial ‘Brisbane Street Barons’. It is Launceston’s main street and the hub of the CBD. Like a number of streets in central Launceston Brisbane Street’s residential properties are circa 1890s to 1930s. It is unsurprising to find that at various locations along the street shell necklaces were once traded. A curio shop, jewellery shop and tobacconist among others figure in anecdotal reports of “shell necklaces being on sale” – particularly in the 1930s,40s & 50s.

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George Burrows purchased a collection of shell necklaces from an auction in Launceston 1978/79. It has been suggested that the necklaces "were made by Miss Stewart" whose property was being dispersed at the estate clearance sale. 'Miss Stewart' had a jewellery shop on Brisbane St.

These necklaces are now a part of the Tasmanian Museum and Art Gallery's collection in Hobart. It is doubtful that 'Miss Stewart' did in fact make the necklaces. On the balance of probability, and the circumstantial evidence, she may well have been a part of the trade in shell necklaces made by Tasmanian Aboriginal women on Bass Strait's Furneaux Islands. She may have also been involved in restringing necklaces made by these women – one necklace in the Burrows Collection seems to suggest this.

The necklaces in the George Burrows shell necklace collection now held by the TMAG are typical of the necklaces that included maireener and other shells that were produced by Aboriginal women on Cape Barren and Flinders Islands in Bass Strait.

There is more to this story so watch this space for developments and if you have any information please leave a comment OR contact the network via Email: shellnecklaces@7250.net

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