NOTE: Interestingly the words "Maireener, Tasmanian or Aboriginal" do NOT appear in the description of this piece. They have been used commonly on eBAY in recent times. for necklaces that look like this one Indeed, so commonly that there is a case for the proposition the words are used in a 'value adding exercise' by eBAY sellers.
These shells almost certainly originated in Tasmania and the necklace is typical of necklaces of late 19th & early/mid 20th C commercial production that have been attributed Aboriginal cultural production.
These shells almost certainly originated in Tasmania and the necklace is typical of necklaces of late 19th & early/mid 20th C commercial production that have been attributed Aboriginal cultural production.
If the circa 1920s is near the mark, this necklace way well have been a part of M M Martins production that was being exported out of Tasmania around that time and earlier. If in fact it was exported to the UK in the 1950s, which it may have been, it may well have been a part of Bertie May's production – more information is coming to light in relation to his operation in the 1950s .
Equally, it may well be an example of 20th C Tasmanian Aboriginal cultural production from the Furneaux Islands. Without clear provenance it is becoming increasingly difficult distinguish between 19th & early/mid 20th C commercial necklace production and Tasmanian Aboriginal cultural production – 19th/20th C.
Typically eBAY sellers have very limited information in regard to provenance when requested to provide any information at all in regard to how they came by these necklaces. This is also the case for when such necklaces turn up at antique auctions in Tasmania.
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