Clearly the Aboriginal authenticity of this necklace is ambiguous for all the reasons discussed elsewhere on this site. It is particularly interesting that attention is drawn to the clasp. Anecdotally, this 'closure' has been referred to in regard to Bertie May's production and specifically for his short necklaces. This necklace may well be such a necklace.
Interestingly "MAIREENER SHELL" is used to lend Aboriginal authenticity to this necklace. Given this, it seems that it is seen as being important in winning the asking price – albeit modest. This is especially so now that contemporary shell necklaces, and presumably vintage/antique necklaces also, with clear Aboriginal provenance have 'Cultural Heritage Icon' status. That has been the case in Tasmania since early November 2009.
Since necklaces with clear Aboriginal provenance are achieving sale prices far in excess of that sought for this necklace the implication is there – intended or otherwise.
There is a clear implication here that while this ambiguity might have been accommodated in the past, 'The Ward Case of 1908' changes that somewhat given the number of commercially produced necklaces involved. Indeed it can argued that dealers have an obligation to acknowledge that an alternative to the authenticity claimed is a possibility IF value is dependent upon Aboriginal authenticity.
Furthermore, the ambiguity needs to be acknowledged in many situations where Aboriginal authenticity is being asserted in the light of The Ward Case, its implications and other unfolding information.
Interestingly "MAIREENER SHELL" is used to lend Aboriginal authenticity to this necklace. Given this, it seems that it is seen as being important in winning the asking price – albeit modest. This is especially so now that contemporary shell necklaces, and presumably vintage/antique necklaces also, with clear Aboriginal provenance have 'Cultural Heritage Icon' status. That has been the case in Tasmania since early November 2009.
Since necklaces with clear Aboriginal provenance are achieving sale prices far in excess of that sought for this necklace the implication is there – intended or otherwise.
There is a clear implication here that while this ambiguity might have been accommodated in the past, 'The Ward Case of 1908' changes that somewhat given the number of commercially produced necklaces involved. Indeed it can argued that dealers have an obligation to acknowledge that an alternative to the authenticity claimed is a possibility IF value is dependent upon Aboriginal authenticity.
Furthermore, the ambiguity needs to be acknowledged in many situations where Aboriginal authenticity is being asserted in the light of The Ward Case, its implications and other unfolding information.
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